Daniel Minahan's queer period piece On Swift Horses doesn't offer originality, but the cast keeps things moving and interesting.
‘Drop’ SXSW review – A tense tech thriller
Christopher Landon's Drop is reminiscent of past thrillers, but its style and performances make it worthwhile.
‘Death of a Unicorn’ SXSW review – A24 comedy finds some magic
A24 finds some magic in the dark fantasy comedy Death of a Unicorn.
‘Holland’ SXSW review – A murder-by-numbers mystery
The mystery of Holland isn't in its story, but really how it came to be so mediocre, even with Nicole Kidman as the lead.
‘Mr. Crocket’ Fantastic Fest review – Outstanding effects, average script
Mr. Crocket's story lacks originality, but its visual execution shows promise for the filmmaker.
