A neighborhood’s residents are disparately affected by a crime in Kevin Tran’s debut feature film The Dark End of the Street.
Despite a solid change of direction towards the end, Dave Franco’s horror debut lacks in character.
Underwater might lean towards shallow, but this deep-sea horror eventually rises above it all.
As far as being governed by tropes and giving in to viewer assumptions, Juror 8 is practically lawless.
The Grudge (2020) possesses an incoherent narrative, but its greatest crime is wasting a promising director’s talent.