Daniel Minahan's queer period piece On Swift Horses doesn't offer originality, but the cast keeps things moving and interesting.
‘Drop’ SXSW review – A tense tech thriller
Christopher Landon's Drop is reminiscent of past thrillers, but its style and performances make it worthwhile.
‘Death of a Unicorn’ SXSW review – A24 comedy finds some magic
A24 finds some magic in the dark fantasy comedy Death of a Unicorn.
‘Holland’ SXSW review – A murder-by-numbers mystery
The mystery of Holland isn't in its story, but really how it came to be so mediocre, even with Nicole Kidman as the lead.
‘The Bayou’ review – Even meth-fueled alligators can’t save this mess
Survival horror movie The Bayou survives on its alligator antagonists alone.
