Kwon Oh-seung’s Midnight sees a daughter and mother evade a serial killer one night in Seoul.
A neighborhood’s residents are disparately affected by a crime in Kevin Tran’s debut feature film The Dark End of the Street.
Underwater might lean towards shallow, but this deep-sea horror eventually rises above it all.
As far as being governed by tropes and giving in to viewer assumptions, Juror 8 is practically lawless.
Lost Holiday proves that while the holidays aren’t easy for everyone, identifiable indies like it make them all the more bearable.