A neighborhood's residents are disparately affected by a crime in Kevin Tran's debut feature film The Dark End of the Street.
[Review] Suburban horror is revealed in ‘The Dark End of the Street’
[Review] ‘Underwater’ (2020) eventually rises to the surface as worthwhile, deep-sea horror
Underwater might lean towards shallow, but this deep-sea horror eventually rises above it all.
[Review] The verdict is in: ‘Juror 8’ (2019) is a favorably atypical procedural drama
As far as being governed by tropes and giving in to viewer assumptions, Juror 8 is practically lawless.
[Review] ‘Lost Holiday’ is the post-mumblecore, holiday mystery we deserve
Lost Holiday proves that while the holidays aren't easy for everyone, identifiable indies like it make them all the more bearable.
[Review] ‘And Then We Danced’ will dance its way into your heart—and stay there
And Then We Danced is cathartic, topical, and ultimately optimistic in spite of itself. A life-affirming LGBTQ+ film for the ages.
Tales from the Paulside 