Underwater might lean towards shallow, but this deep-sea horror eventually rises above it all.
[Review] ‘Underwater’ (2020) eventually rises to the surface as worthwhile, deep-sea horror
[Review] The verdict is in: ‘Juror 8’ (2019) is a favorably atypical procedural drama
As far as being governed by tropes and giving in to viewer assumptions, Juror 8 is practically lawless.
[Review] ‘The Grudge’ (2020) is haunting, but for all the wrong reasons
The Grudge (2020) possesses an incoherent narrative, but its greatest crime is wasting a promising director's talent.
[Review] ‘Lost Holiday’ is the post-mumblecore, holiday mystery we deserve
Lost Holiday proves that while the holidays aren't easy for everyone, identifiable indies like it make them all the more bearable.
[Review] ‘Black Christmas’ (2019) pushes buttons and shirks subtlety for the better
Black Christmas (2019) brandishes weaponized social justice but its purpose outweighs its lack of subtlety.
Tales from the Paulside 